Landslide is part of a series I am yet to title; a photographic series of expanded character. One that comprises a slight echo of Of Sunburns and Sunspots, with more of a determined undertone; in it, my sister and I are the sole subjects. A likeness, a chronic illness, a blood condition. The scars we share, the wounds we salt; the light she bears –and which shines for us both.
Projects
Softcore, Midtsommer, [2023]
Softcore portrays light in a seemingly cartographic manner, in the form of structural jacquard tapestries, constituting a sort of flesh that is only real in its constructedness –that is true in its own accord as a single reading.
Softcore, 001–003, [2023]
Softcore portrays light in a seemingly cartographic manner, in the form of structural jacquard tapestries, constituting a sort of flesh that is only real in its constructedness –that is true in its own accord as a single reading.
Of Sunburns and Sunspots, Diptych, [2022]
I seek the source of that light, the one projecting alabaster-tainted reflections on poignant surfaces. –Surfaces that, despite a few scattered spotlights, remain overcast by the structural monumentality of the space.
‘That Which Lies Within the Self’, Uncertain States of Scandinavia 16th Issue
As we choose to no longer stand behind the camera, we do still hear the shutter being triggered at our release; yet all our eyes can remember is that imprinted afterimage, a warm tainted retinal persistence produced by the firing of flashbulbs.
Black Leader, [2020]
‘”One day I’ll have to put it all alone at the beginning of a film with a long piece of black leader; if they don’t see happiness in the picture, at least they’ll see the black.”.’. –Marker, C. Sans Soleil, 1983.
Eat Sand / Sand, [2020]
Eat Sand / Sand is a 16 mm experimental film, it is the result of purposefully introducing error during processing. A blighted collection of captures. An approach to seeing aimed at mastering partial control of the outcome imagery while forcing the camera to malfunction.
Before 0, [2020]
Imagery is restless. It has no consumption waste; and yet, hails from a depleted sense of reality that feeds upon itself. As in a cycle –may there be a more contemporary notion. Images of real things. Images of images. Reinterpretation, appropriation…; it all seems applicable to fairy everything. And it all leads to the attribution of new meanings.